Mind, Brain, & Behavior 91: Music and the Brain
Tramo, MJ. Music of the hemispheres. Science 2001, 291: 54-56.
Tramo, MJ. Function organization of the cerebral hemispheres.
Deutsch, D. Paradoxes of musical pitch. Scientific American 1992, 88-95. PDF
Evarts, E.V. Effect of auditory cortex ablation in frequency discrimination in monkey, 1951, 443-448. PDF
Kaas, JH, Hackett, TA, & Tramo, MJ. Auditory processing in primate cerebral cortex. Current Opinion in Neurobiology 1999, 9: 164-170. PDF
Shepard, RN. Circularity in judgments of
relative pitch. Journal of the Acoustical Society of
Tramo, MJ, Shah, GD, & Braida, LD. Functional role of auditory cortex in frequency processing and pitch perception. Journal of Neurophysiology 2002, 87: 122-139. PDF
Cariani PA & Delgutte B. Neural correlates of the pitch of complex tones. I. Pitch ad pitch salience. Journal of Neurophysiology 1996, 76: 1698-1716. PDF
Houtsma AJM & Goldstein JL. The central origin of the pitch of complex tones: Evidence from musical interval recognition. Journal of the Acoustical Society of America1971, 51: 520-528. PDF
Pantev C, Hoke M, Lutkenhoner B, & Lehnertz K. Tonotopic organization of the auditory cortex: Pitch versus frequency representation. Science 1989, 246: 486-488. PDF
Schwarz DWF & Tomlinson RWW. Spectral response patterns of auditory cortex neurons to harmonic complex tones in alert monkey (Macaca mulatta). Journal of Neurophysiology 1990, 64: 282-298. PDF
Zatorre RJ. Pitch perception of complex tones and human
temporal-lobe function. Journal of the Acoustical Society of
Zatorre RJ, Evans, AC, Meyer, E, & Gjedde A. Lateralization of phonetic and pitch discrimination in speech processing. Science 1992, 256: 846-849. PDF
Fishman, et al. Consonance and dissonance of musical chords: neural correlates in auditory cortex of monkeys and humans. Journal of Neurophysiology 2001. PDF
Plomp R & Steeneken HJM. Interference between two simple tones. Journal of the Acoustical Society of America1968, 43: 883-884. PDF
Tramo MJ, Cariani PA, Delgutte B & Braida LD. Neurobiological foundations for the theory of harmony in Western tonal music. In The Biological Foundations of Music (R Zatorre & I Peretz, Eds) 2001, 92-116. PDF
Moore BCJ, Peters, RW & Glasberg BR. Thresholds for the detection of inharmonicity in complex tones. Journal of the
Acoustical Society of
Tramo MJ, Bharucha JJ & Musiek FE. Music perception and cognition followng bilateral lesions of auditory cortex. Journal of Cognitive Neuroscience 1990, 2: 195-212. PDF
Krumhansl CL, Bharucha J & Castellano MA. Key distance effects on perceived harmonic structure in music. Perception & Psychophysics 1982, 32: 96-108.
Patel AD, Gibson E, Ratner J, Besson M & Holcomb PJ. Processing syntactic relations in language and music: An event-related potential study. Journal of Cognitive Neuroscience 1998, 10: 717-733. PDF
Maess B, Koelsch S, Gunter TC & Friederici AD. Musical syntax is processed in Broca's area: an MEG study. Nature Neuroscience 2001, 4: 540-545. PDF
Blood AJ, Zatorre RJ, Bermudez P & Evans AC. Emotional responses to pleasant and unpleasant music correlate with activity in paralimbic brain regions. Nature Neuroscience 1999, 2: 382-387. PDF
Justus TC & Bharucha JJ. Modularity in musical processing: The automaticity of harmonic priming. Journal of Experimental Psychology: Human Perception and Performance 2001, 27: 1000-1011. PDF
Bharucha JJ. Melodic anchoring. Music Perception 1996,
Janata P, et al. The cortical topography of tonal structures underlying western music. Science 2002, 298: 2167-2170. PDF
Tillman B, Bharucha JJ, Bigand E. Implicit learning of tonality: A self-organizing approach. Psychological Review 2000, 107/4: 885-913. PDF
Miller GA. The magical number seven, plus or minus two: Some limits on our capacity for processing information. Psychological Review 1956, 63: 81-97. PDF
Dowling WJ. Scale and contour: Two components of a theory of memory for melodies. Psychological Review 1978, 85: 341-354. PDF
Cuddy LL & Lunney CA. Expectancies generated by melodic intervals: Perceptual judgments of melodic continuity. Perception & Psychophysics 1995, 57: 451-462.
Schmuckler MA. Expectancy effects in memory for melodies. Canadian Journal of Psychology 1997, 51: 292-305. PDF
Liegeois-Chauvel C, Peretz I, Babai M, Laguitton V, Chauvel P. Contribution of different cortical areas in the temporal lobes to music processing. Brain 1998, 121: 1853-1867. PDF
Peretz I & Coltheart M. “Modularity of music processing.” Nature Neuroscience 2003. 688-691. PDF
Dowling, W, & Fujitani,
D. Contour, Interval, and Pitch Recognition in Memory for Melodies. Journal
of the Acoustical Society of
Krumhansl CL. Rhythm and pitch in music cognition. Psychological Bulletin 2000, 126: 159-179. PDF
***Peretz I. Processing of local and global musical information by unilateral brain-damaged patients. Brain 1990, 113: 1185-1205.
***Penhune VB, Zatorre RJ & Feindel WH. The role of auditory cortex in retention of rhythmic patterns as studied in patients with temporal lobe removals including Heschl's gyrus. Neuropsychologia 1999, 37: 315-331. PDF
***Sakai K, Hikosaka O, Miyauchi S. Takino R, Tamada T, Iwata NK, Nielsen M. Neural representations of a rhythm depends on its interval ratio. Journal of Neuroscience 1999, 19: 10074-10081. PDF
D. Internal Representation of Simple Temporal Patterns. Journal of
Experimental Psychology: Human Perception and Performance 1981, 7: 3-18. PDF
Peretz I, et al. Functional dissociations following
bilateral lesions of auditory cortex. Brain 1994, 117: 1283-1301.
***Samson S & Zatorre RJ. Recognition memory for text and melody of songs after unilateral temporal lobe lesion: Evidence for dual encoding. Journal of Experimental Psychology: Learning, Memory & Cognition 1991, 17: 793-804. PDF
***Patel A, Peretz I, Tramo M, Labreque R. “Processing Prosodic and Musical Patterns: A Neuropsychological Investigation.” Brain and Language 1998, 61: 123-144. PDF
S, Racette A, Gagnon L,
Other recommended reading (not required):
Mottron L, Peretz I, Ménard E. Local and global processing of music in high-functioning persons with autism: Beyond central coherence? Journal of Child Psychology and Psychiatry 2000, 41(8): 1057-1065. PDF
Baum SR & Dwivedi VD. Sensitivity to prosodic structure in left-and right-hemisphere-damaged individuals. Brain & Language 2003, 87: 278-289. PDF
Hebert S, Racette A, Gagnon L, Peretz I. Revisiting the dissociation between singing and speaking in expressive aphasia. Brain 2003, 126: 1838-1850. PDF
Lo YL, Fook-Chong S, Lau DPC, Tan EK. Cortical excitability changes associated with musical tasks: a transcranial magnetic stimulation study in humans. Neuroscience Letters 2003, 352: 85-88. PDF
Sloboda JA. Music structure and emotional response: Some empirical findings. Psychology of Music 1991, 19: 110-120. PDF
Blood AJ & Zatorre RJ. Intensely pleasurable responses to music correlate with activity in brain regions implicated in reward and emotion. PNAS 2001, 98: 11818-11823. PDF
Redish AD. Addiction as a computation process gone awry. Science 2004, 306: 1944-7. PDF
Peretz I, Gagnon L, Bouchard B. Music and emotion: perceptual determinants, immediacy, and isolation after brain damage. Cognition 1998, 68: 111-141. PDF
Other recommended reading (not required):
Altenmuller E, Schurmann K, Lim VK, Parlitz D. Hits to the left, flops to the right: different emotions during listening to music are reflected in cortical lateralisation patterns. Neuropsychologia 2002, 40: 2242-2256. PDF
Juslin PN & Sloboda JA.
Psychological perspectives on music and emotion. In PN Juslin
& JZ Sloboda (Eds.) Music and emotion
(pp. 71-104) 2001.
Meyer LB. Emotion and meaning in music.
Wright AA, Rivera JJ, Hulse SH, Shyan M, Neiworth JJ. Music perception and octave generalization in rhesus monkeys. Journal of Experimental Psychology: General 2000, 129: 291-307. PDF
Zentner MR & Kagan J. Infants' perception of consonance and dissonance in music. Infant Behavior & Development 1998, 21: 483-492. PDF
Karni A, Meyer G, Jezzard P, Adams MM, Turner R, Ungerleider LG. Functional MRI evidence for adult motor cortex plasticty during motor skill learning. Nature 1995, 14: 155-158. PDF
Other recommended reading (not required):
DallaBella S, Peretz I, Rousseau L, Gosselin N. A developmental study of the affective value of tempo and mode in music. Cognition 2001: 80, B1-B10.
Recanzone GH, Schreiner CE, Merzenich MM. Plasticity in the frequency representation of primary auditory cortex following discrimination training in adult owl monkeys. Journal of Neuroscience 1993, 13: 87-103. PDF
Schmidt LA, Trainor LJ, Santesso DL. Development of frontal electroencephalogram (EEG) and heart rate (ECG) responses to affective musical stimul during the first 12 months of post-natal life. Brain & Cognition 2003, 52: 27-32.
Gardner H. Approaches to creativity.
In Creating Minds: An anatomy of creativity through the lives of
Freud, Einstein, Picasso, Stravinsky, Eliot, Graham & Gandhi (pp.
***PLUS: You are responsible for selecting and being prepared to discuss/summarize results from a paper or your choosing from the literature. (PubMed or PsycInfo are good search engines to explore.)